Monthly Archives: March 2014

she stands in pulp form

when art looks at art
what do you call it?

she stands in pulp
before her own painting
and in the gallery before the
opening, exquisite become
inquisitive

from the couch
i stare towards wall
into sketched art, saved
from tweed flea and
fire
staring into, Old Montreal
remembering the walk

when art is a snapshot memory
what do you call the lost fragments?

and the air was warm
your hand was in mine,
walking cobblestone and speaking
nothing that could not be interpreted
by a smile

and the woman stares at her own pulp

and i stare at my own Montreal

inquisitive become exquisite.

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maestro in the painted glance

let us do the transition dance
fingers at back of neck
trickle-the-tickle
raising the tiny hairs
joining the remaining scalp
and listen at the ears

from a squatting position
the muscles that
stretch the canvas
and twist in the fire
toes lifting-holding
and palms to heel
in soft leather form
resting a haunch position
prepared to spring in readiness

to the beat

the black space
of the nothing view
the transition before morning
staring and twisting to the sound
of the sun rising in the distance
circling the world
and coming back to the body
to the point of creation

fingers

still raised at nape
elbows rolling to the quiet sound
a distant drum in the darkness
two hearts rising from the toes
off the heel and palms
flat to the ground
standing on the moment
while the fire dies down

music

in the paint of skin colour
choosing our pigmentation
joining our accents
and telling our noses, our
foreheads and chins
where we must travel
in silent tango and retrace our
steps of origin

race the sun in rhythm
the transition
where our bodies move
and the nothing matters

hair still staying in tingle to the nape
ready for the beat
moving from a one-three-four-line
sheet, maestro tapping the
stand, and the sun raising
bows to string
in the orchestral pit


just a piece of a piece…..

 

a mustard seed?
just the
morsel of a mustard
seed,
touch of a cloak
or the breeze from your
crowded passing.
to surrender and finally
give it up to your judgement,
surrender to what you want
realize
the journey
and hope, still knowing –
wanting
the morsel, that i may
hold it long enough
to plant it somewhere fertile.
all these choices,
that i’m not asking too late
that you hear me and that
the confidence
i feel is true,
that it becomes stronger than
the seed, taller than its
growing tree,
that the cloak is more than  a passing
glance
-is it, it is, i believe so,
while my nerves are un nerving-
but my confidence is unyielding
my faith is thy will
that your will, is my mustard seed
– and that this trust
surpasses the beautiful risk

R.V to B.C

 

the dog farts
and i am reminded, that,
there must be humour in poetry
pulled back before the
shtick
after the entertainment
and the ballerina gymnastics
of a wrestling match.
it’s the struggle of beauty,
wise words
where your eyes water
and push the canine away
pick dog tooth flowers
and hand them
to your lover
put them in a kitchen glass
and touch the
singularity of a
moment in hot summer.
travel Canada in an r.v
stop by the  nothingness
and observe  a kings hwy car
not
following you to the same pine
past rock cut, destination.
let your best friend race the
bend in the gravel
and haunch himself, in the silliness
of a young one proud
of the potty training reward.
then climb back in the trailer
step on, metal step,
slide into the passenger seat of
truck
and continue down the road
discovering all there is to find
and think about next
year, the east coast,
and the humour- which
will only make sense
to you.

At the A-Frame

 

wearing cleats
skates
in the summer
the
winter,
head down in the
dressing room,
rubbing the white paint
on  grass
sign of cross before
charging on chess board
for battle.
the pen, the stick the
bat, the ball the
puck – words waiting
to drop on page to speak
from mic
and understanding the love
of this game.
‘click the mechanism’
and shut out the world
JUST READ, JUST
WRITE
and before the audience
before
the game, bow the head
hear the anthem
and know for love or money
or institution,
you’ll play it again and
again.
at the cathedral steps
of great arena, stadium or
A-frame,
adjust the hat and lick
the fingers
Lord Stanley
or just Lord
hear me – grateful
and ready
…..sound the horn
and let
the game commence.

the independent poet

 

writing to shut the urge down
long enough only
to
write again
writing for consignment and anthology pop(s)
or (ularity)
taking same money earned and trading
it back in for
signed Lee, books in Picton
and reading
Dennis for the insane madness
of Toronto, boundless
in the mind-child with an
eidetic memory
or whose pies evolve past
a riff or whimper
a small capped wave on the
ocean.
the independent writer though…
is not the ocean
nor a great lake
but a
pond – a marsh
a glass of water on a hay field
dry before summer
and sprouting roots
waiting for the baler to square
our thoughts and store them
in the barn for winter-
again the water appears on the field
and we skate the puck.
on the pond we sleep with the vegetarian
life , or the tad poles of sleeping fish(ing)
poles, still dangling on the lines
hoping for a bite
which will reel in a meal
and keep us fed
until the next thought or idea
pays for our room
or our
board.

DIRECTORS CUT………..STEELTOWN INTERVIEW………

BONUS MATERIAL………..THE Q&A sessions by The Crazy Irishman with Martin Durkin, Author of: SteelTown For Mary, Memoirs From a Dick

  1. Q:It seems like during the interview, there was some more stories, that we just didn’t have the space for. Especially when you talked about coming to Hamilton to live for the first time and living in your father in laws back shop.

    A: Well yeah, I guess. We moved there during the Christmas break. For the first week or so, we slept right on the floor with a few blankets for a mattress. We then took off for Nova Scotia to see some friends at the time. When we came back, the first thing we did, was look for a real bed that we could afford. We were married young, no kids, but basically still in school, so with no money, we were doing everything off the cuff. This part of town had some real tough people living there, our first night, someone tried to break into the shop, they rattled the doors and made a fair bit of noise. Now Hamilton I find is a safer place to live than say Belleville, but that’s a lot in part because the city is so much larger, so things are spaced out better. Hamilton has a little bit of everything to offer you.

  1. Q: Did you find any local writers at the time that inspired you?

    A: For sure, the main guy was then a local, Adam Getty. He wrote a book called, RECONCILIATION, and it really hit home. It opened my mind up to where I needed to go as a writer. It also made me more aware of the city itself, so like Purdy did in his writing, I realized, I needed to write about where I was living, as much as about how I was living it. Getty’s book is still one I pull out and read each summer

  2. Q: It seems like, dropping names and locations is important to you

    A: It is, and not simply to do it just because it’s cool, but because its important to me, to feel out the meaning of the words as much as the meaning of where I am. I think Ian Tyson is credited as the first Canadian singer brave enough to put a Canadian location in a song, naming Alberta in his FOUR STRONG WINDS SONG, and of course The Hip, they have mapped this country as a band and as individuals better than anyone. But to hear more and more bands doing it or still doing it like Tom Wilson or even more importantly, new bands like Harlan Pepper, Whitehorse, The Arkells – all Hamilton musicians, well, it tugs at me each time I hear a song about Hamilton even if it is just one line, it makes me feel something beyond the song itself, so if a song can do that, why not a poem?

  3. Q: You have a strong connection between songs and poetry correct

    A: I think that good poems, and good poets should be as respected and cherished as equally as a good musician whether they are rock, roots, or country. There are a lot of good song lyrics out there that are brought to life with music, and a lot of bad lyrics that only do well because of the music. Poetry has to do both in one setting, but at the end of the day, which do you dance to? – Think that’s a Downie question previously proposed. It would be nice though to see better poetry and Canadian poetry read and studied in school, to see a larger shelving in stores, and for any poet whose book has been nominated or won an award, to never leave the shelf. Canada has some great poets, but you wouldn’t know it from the book shelves.

  4. Q:What was it like seeing your book(s) on the shelf for the first time?

    A:It was awesome, it was in major bookstores from Ottawa to Hamilton, in Kingston because of alphabetical order, my book sat beside Downies, I could have fell over at the point……….as close to rock in roll as you can get. But whether large stores or independents, they promoted the book(s) and I had individuals in the poetry world who wanted to help, who continue to help me to this day. Without the bookstores and the generous help of promoters in these individual areas, I would never had stood a chance. I hope some day to return the favour, Then you have family and friends, who of course are always there through the thick and thin, who come out and are sometimes the only ones in the audience. Other times, you get a large crowd and you stand around afterwards and sign copies, and you feel like someone important, then of course you jump back in the truck, and go back to work the next day on the job site or horse farm.

  5. Q: You seem to get really excited mentioning singers that you enjoy

    A: Of course! It’s not in the same tone as a kid wanting an autograph, but as someone who would just like to meet a few of these guys, shake their hands, and say, ‘thanks’.

  6. What does it mean to you, being able to read at Al Purdy events?

    A: It’s a great honour, it’s beyond words. I have been to his grave site, but I have never been to the A-Frame house. My first time out there, I didn’t want to come in as a tourist or simply a fan, I wanted to come in as a fellow poet, not in the same ranking mind you, but it means something to come on the property as a writer, and not just a fan. It’s a privilege to know I will be going out there soon to read with some other fine poets, I compare it to the movie, Field of Dreams, where Ray Liotta’s Character has to kick the white paint each time before walking onto the field, he knows it’s the game itself you gotta love. That’s how it’s going to feel for me when I get to read out there, I’m going to have to kick some gravel before I move far from my truck.

  7. Q:Tell us about you Sound of Quish book cover

    A:The front cover was a painting done by my cousin from Toronto. Hell of an artist and playwrite. The back cover was door way into Al Purdy’s childhood home in Trenton at 134 Main street. I don’t even know if the house is still standing. When I went there it was in rough shape and the tennants thought I was some yahoo all excited and wanting to take a picture of the door way. At the time I was living at 134 Main in Brighton, and I couldn’t get over the coincidence. The inside shot of myself, I was sitting at the old Trenton Collegiate Institute where he and Farley Mowat went, just before Purdy was kicked out. A buddy of mine was from Trenton, and on the weekends we would go searching for the dynamite factory foundation that blew up and which Purdy wrote about in Splinter of the Heart. We often joked that we should climb to the top of the water tower and spray paint his name.

  1. Q: You mentioned something about, Work Smart, not Hard. Can you elaborate?

    A:It’s referencing the old posters back in the day that showed a college grad on one side happy and a welder on the other side, miserable, with that slogan underneath. Which of course is a load of crap. Work Smart, and hard, seems to make more sense, it’s up there with the frog strangling the heron that is swallowing him, with the slogan, Never, ever, Give Up. Anyways, I saw the poster once in a Mike Rowe documentary, and it has always stuck with me.

  2. Q: Any other words of wisdom?

    A: Nope, I do believe in what author Dennis Lehane said, about making sure at the end of the day, your job which is bringing in your pay cheque is not so overwhelming that your full time job which should be writing, suffers.

  3. Q: You seem to follow great American writers as well as Canadian

    A: I believe in great writers period, or great singers period. The minute you put American or Canadian before the name, that artist loses something in my mind. It’s like you are saying they are great in this country – else where who cares. We don’t say Canadian Legend Al Purdy, we just say, Al Purdy, Period, his greatness is worldwide. So in my mind, Dennis Lehane or who ever, they’re just great, people to pay attention to.

  4. Q: I understand the cover of your new book has some profound meaning

    A: It does. My wife designed the over all cover, but the picture of the woman on it, who represents, Mary within the pages of the book – it was actually drawn by my grandmother when she was just a young teen in the early 1900’s. Her name was Mary and although the title was already conceived before I knew of the picture, it all tied in neatly. Before my grandmother passed, she was quite pleased to know her artwork was going to be used for my book.

  5. Q: She was an impressive artist then?

    A: Her paintings are well known within certain circles. When she was a teen she used to write into the local radio stations and ask for 8×10 of local movie stars like Jimmy Stewart or Marilyn Monroe, she would sketch them perfectly. She was then offered a chance to go to school in the States, but she was needed at home. She painted all her life, and a lot of her work was sent around the world to private owners.

  6. Q:One last question about your book, what is the name of your detective?

    A: I don’t actually give his name directly other than in one segment while he is bickering with the lead detective outside of the Centre Mall on Kenilworth, but suffice it to say, it’s simply a play on words, he’s a detective, a dick etc. So his name is fairly obvious once you purchase the book and read it…..

  7. If you are interested in reading up on part one of the Q&A go to: https://www.facebook.com/crazyirishmanpoetry/posts/10151899012441920. Learn more about how the book came together

  8. If you are interested in reading up on part two of the Q&A, go to: https://www.facebook.com/crazyirishmanpoetry/posts/10151902126971920. Durking speaks on a little bit of everything, from his roots to being part of a spring anthology in New York with 2 poet laureates.

Touted as a working man’s poet, Martin Durkin has been writing professionally for the last 12 years. He has appeared in over twenty anthologies across North America, including, “And left a place to stand on”, a collection of poems and essays about the late great Al Purdy. Durkin has also published two collections of poetry, “Hypnotic Childhood”, and “The Sound of Quish”.

In 2013 Durkin was part of the Purdy Rednersville show, reading some of his latest work.

In 2014 a new book of poems called, ‘Steeltown for Mary, Memoirs from a Dick’ should be hitting the shelves. The book was edited by Richard Turtle whom Martin met during the Rednersville show. Thus far,the reviews for this book have been very positive………

Steel Town is so much more than a book of really good poems. It is a graphic novel without the artwork, a Sam Spade movie without motion or sound, a compelling social commentary without complicated language and a detective story without any of the boring bits. It’s also one hell of a good idea and an even better read……..RICHARD TURTLE (editor)

“An unusual and remarkably rich and evocative narrative told so adeptly by an author who knows how to use in almost impossibly few words to engage the reader. Durkin brings Hamilton and its characters to life, stanza by stanza.” -Graham Crawford,Owner Hamilton HIStory + HERitage

From Lindi Pierce, Heritage writer, researcher and member of the Local and National Al Purdy A-frame association boards….”If Dashiell Hammett had written poetry, he would have written this!”

With this book he takes a long step forward into the ranks of Canadian poets of consequence.– Chris Faiers, Canadian Poet and Recipient of the Milton Acorn People’s Poetry Medal

steeltown


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